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submitted by Nick Jun 8th 2021 01:00 pm (stereogum.com)
Back in January of 2020, Bright Eyes made their grand return. The Conor Oberst-led trio reunited and announced that they’d be heading out on a world tour, starting with a late March show in Japan. We all know how that turned out. Bright Eyes released a new album, the quite good Down In The Weeds Where The World Once Was. They played on late-night shows. They dropped a few extra songs. But Bright Eyes still haven’t played a proper live show since 2011. Today, they announced rescheduled versions of some of the shows that they first planned for last year, and they also added a bunch of extra shows.
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Conor Oberst has been taking a break from the Bright Eyes reunion lately to play star-studded weekly Thursday night residencies in LA and NYC. These shows are billed as Conor Oberst And Friends, and out West, those friends included his Better Oblivion Community Center bandmate Phoebe Bridgers among others like Oberst’s fellow Monster O...
There’s an extended scene in Freedom, the 2010 novel that landed Jonathan Franzen on the cover of Time, in which an aging indie rocker finds himself at a show in Washington, DC. He’s there to see “the suddenly hot band Bright Eyes, fronted by a gifted youngster named Conor Oberst.” The scene takes place in...
Bright Eyes are announcing their second wave of “Companion” releases, which consist of the band rereleasing their entire catalog, plus some new recordings. On November 11, they’re sharing Lifted Or The Story Is In The Soil, Keep Your Ear To The Ground: A Companion, I’m Wide Awake, It’s Morning: A Compani...
The band previously released three "companion" records for 'Fevers And Mirrors', 'Letting Off The Happiness' and more earlier this yearThe post Bright Eyes announce three new “companion” reissues of early albums appeared first on NME.
The track appears on 'A Collection of Songs Written and Recorded 1995–1997: A Companion'The post Watch Bright Eyes perform ‘Falling Out Of Love At This Volume’ on ‘The Late Late Show’ appeared first on NME.
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