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submitted by Nick May 29th 2019 07:00 pm (www.nme.com)
Where should we draw the line with holograms, posthumous releases and biopics of beloved late artists?Music movies are big business in 2019. The Oscar-winning success of Bohemian Rhapsody and the excitement around Elton’s Rocketman prove there’s a huge appetite to see the lives of artists played out on screen. But the best music film at the moment doesn’t come courtesy of a fledgling talent in a wig; instead, it’s the raw […]The post Dead famous: The ethics of art after death appeared first on NME.
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