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submitted by Nick Mar 6th 2013 04:00 pm (stereogum.com)
In Glass Candy’s new video for the slow, unsettled electro-pulse “The Possessed,” singer Ida No skulks around a carnival and performs to a fired-up crowd in a venue so immaculately designed that it doesn’t look real. Frequent collaborator Alberto Rossini films everything in his trademark grainy late-’70s/early-’80s horror-movie style. Watch the video and download the [...]
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Zola Jesus and Johnny Jewel are a match made in swirling, atmospheric goth heaven. Jewel is the man behind Chromatics, Glass Candy, and a whole ton of other smeary, synthy projects. He is a baron of music that sounds good while you're driving late at night through abandoned city streets. Zola Jesus, meanwhile, has one…
submitted by Nick Mar 27th 2015 11:00 pm (stereogum.com)
Glass Candy is one of the many musical groups that Johnny Jewel has a hand in. His latest project is the soundtrack to a new Ryan Gosling-directed film called Lost River, and so far he’s shared “love theme” “Yes” by the Chromatics and his ambient Johnny Jewel solo track “Bullytown.&...
submitted by Nick Mar 6th 2015 03:00 pm (stereogum.com)
Italians Do It Better crew members Glass Candy soundtrack a new commercial for Air France. The company used “Warm In The Winter” — which is, hands down, my favorite Glass Candy track — and it seems like the duo changed up the words so that it could say “France in the air” to go along [&...
submitted by Nick Feb 18th 2015 05:00 pm (stereogum.com)
Ryan Gosling’s directorial debut Lost River is out in theaters this spring, and Johnny Jewel — the bleary-electro mastermind behind Chromatics, Glass Candy, Symmetry, and a few other projects — is responsible for the music. As the Drive soundtrack can attest, Jewel and Gosling are a great screen pairing, especially ...
submitted by Nick Dec 5th 2014 12:00 am (stereogum.com)
It’s been a while since we’ve heard anything from the electronic duo of Johnny Jewel and Ida No who make music under the moniker Glass Candy. They’ve returned with a cover of Herb Alpert’s 1979 instrumental song “Rise,” giving the track a more contemporary space to flourish in. Instead ...
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