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submitted by Nick Oct 28th 2011 04:00 pm (stereogum.com)
The latest solo record from one-man four-track recorder Bradford Cox is probably his most accessible release under the moniker, striking a pretty even balance between the hazier Atlas Sound material as well and Cox’s work in his more widely-known outfit Deerhunter. The songs on the record, for one, seem structurally tighter; songs like “Angel Is [...]
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From "Unfuckingbelievable" to, golly, pretty damn impressive already: the good people behind All Tomorrow's Parties (and, full disclosure, our partners for the first night of the past few Pitchfork Music Festivals) have revealed the first batch of performers for the previously discussed second edition of their wildly successful ATP New York even...
Deerhunter's music has touched on a lot of different styles, from jagged post-punk and slack 1990s-style indie rock to murky garage-psych, airy shoegaze, propulsive krautrock, drifting ambience, and noisy Merzbow freakouts, with fragile dream-pop and German techno minimalism asserting their influences on lead singer Bradford Cox's Atlas Sound so...
submitted by Nick Oct 31st 2008 01:00 am (stereogum.com)
His Halloween treats already in the bag, Bradford Cox has shifted his attention to remixing recent tourmates Stereolab's Chemical Chords track "Neon Beanbag." This is his so-called "Southern Baptist" remix. The opening preacher man sample sounds familiar. As far as the song itself, Cox sets chillier tones against claps and an overall phased, les...
I'm not a close follower of the Deerhunter blog, but the piece Bradford Cox wrote about Stereolab's "Blue Milk" about a year ago has stayed with me, because I felt like he and I hear the same things in that amazing song (he gets a Pitchfork dig in there, too, but whatev). Atlas Sound, Cox's side project, recently spent a few weeks opening for St...
Bradford Cox's reputation as the brink-of-madness beanpole on the frontlines of Deerhunter may soon change as he readies a solo project called


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