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submitted by Nick Sep 23rd 2011 05:00 pm (stereogum.com)
Bradford Cox has already allowed us to hear “Terra Incognita” and “Te Amo,” two of the songs from Parallax, the latest album from his Atlas Sound project. With the title of the third, “Modern Aquatic Nightsongs,” he seems to be inventing his very own genre. And the song, with its hazy lilt and its pillowy [...]
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From "Unfuckingbelievable" to, golly, pretty damn impressive already: the good people behind All Tomorrow's Parties (and, full disclosure, our partners for the first night of the past few Pitchfork Music Festivals) have revealed the first batch of performers for the previously discussed second edition of their wildly successful ATP New York even...
Deerhunter's music has touched on a lot of different styles, from jagged post-punk and slack 1990s-style indie rock to murky garage-psych, airy shoegaze, propulsive krautrock, drifting ambience, and noisy Merzbow freakouts, with fragile dream-pop and German techno minimalism asserting their influences on lead singer Bradford Cox's Atlas Sound so...
submitted by Nick Oct 31st 2008 01:00 am (stereogum.com)
His Halloween treats already in the bag, Bradford Cox has shifted his attention to remixing recent tourmates Stereolab's Chemical Chords track "Neon Beanbag." This is his so-called "Southern Baptist" remix. The opening preacher man sample sounds familiar. As far as the song itself, Cox sets chillier tones against claps and an overall phased, les...
I'm not a close follower of the Deerhunter blog, but the piece Bradford Cox wrote about Stereolab's "Blue Milk" about a year ago has stayed with me, because I felt like he and I hear the same things in that amazing song (he gets a Pitchfork dig in there, too, but whatev). Atlas Sound, Cox's side project, recently spent a few weeks opening for St...
Bradford Cox's reputation as the brink-of-madness beanpole on the frontlines of Deerhunter may soon change as he readies a solo project called


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