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We've heard bits and pieces of Devendra Banhart's 14-song major label debut, What Will We Be. First it was a couple of songs live in San Francisco. Then we got the studio take of "Baby" (though we've since been promised a new Wu-Tanged version). Now we can dig a bit deeper into the collection via the sleepy penultimate track "Wiliamdzi." What you're about to see is not an official video. It's footage of Banhart and band recording What in Northern California that's been set to the song. So, yeah, you can close your eyes if you want, and chill.Continue reading New Devendra Banhart - "Walillamdzi" (Stereogum Premiere)...
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In a Coachella warm-up of sorts -- or, at least, a show that happened prior to Coachella -- Devendra Banhart and his backing quintet played a packed show at San Francisco's Independent. Natalie Portman's shaved ex premiered a couple of new songs in the process. We weren't there, but the folks at EachNoteSecure were and note:Lightheartedly, Banha...
Devendra Banhart, The Orb, Etienne De Crecy, Murder City Devils, Busy P and a DJ set by The Chemical Brothers have been added to the lineup of this year's Coachella Festival.
-- Pitchfork will probably not give the next British Sea Power album our coveted U.2 rating, if only because U2 has never, as far as we know, composed a score for the 1934 film Man of Aran. On May 5, Rough Trade will release the band's Man of Aran soundtrack as a double-disc package. One disc will feature the re-scored movie on DVD, and the ot...
Banhart kissed his beard goodbye, but the gender-bending/open-ended sexuality remains on "Forget About Him," his contribution to the Kath Bloom tribute CD Loving Takes This Course. The 16-song collection also includes Bill Callahan, Mark Kozelek, the Dodos, Josephine Foster, Scout Niblett, etc. If you're unfamiliar with Bloom, she's a Connecticu...
Photo by Lauren DukoffDevendra Banhart's handful of covers have always stood out to me more than any of his trippy originals. One-offs like "Fistful of Love" and "Don't Look Back in Anger" highlight his vocal nuances without letting him float around in the stratosphere. He needs these songs' rigid structures, and in turn he can loosen them from ...
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