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Lou Reed and Berlin producer Bob Ezrin had their eyes on a stage adaptation of this depressing narrative before the record even came out, but its commercial failure ended that prospect-- at least until 2006, when various arts luminaries around New York led Reed and Evrin to revive the record for a four-night run at Brooklyn's St. Ann's Warehouse, with appearances by Sharon Jones and Antony Hegarty. This is the soundtrack to a Julian Schnabel film about those performances.read more
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The least-loved albums by veteran artists tend to find their way, in time, to critical rehabilitation. It’s practically an inevitability, particularly if the artist in question is deemed sufficiently historic. Lou Reed’s notorious Metal Machine Music was reviled on its release only to become recontextualized as the urtext of the hars...
Last month the Lou Reed tribute album The Power Of The Heart, assembled by producer Bill Bentley, was announced. Keith Richards’ take on “I’m Waiting For The Man,” Rufus Wainwright’s rendition of “Perfect Day,” and Maxim Ludwig & Angel Olsen’s interpretation of “I...
Lou Reed’s Metal Machine Music is getting a new ambient reimagining dubbed Metal Machine Muzak. The project, which was organized by Discograffiti creator and host Dave Gebroe, features Lou Barlow, Cory Hanson, W. Cullen Hart, and Mark Robinson each taking on a track from Reed’s 1975 album.
Next month, Light In The Attic are releasing a Lou Reed tribute album called The Power Of The Heart. We’ve heard contributions from Keith Richards and Rufus Wainwright so far, and today we’re getting a cover of the Velvet Underground’s “I Can’t Stand It” courtesy of Angel Olsen and Maxi...
It’s been more than a decade since we lost Lou Reed, but his influence is still as indelible as ever. People continue to cover and sample Lou Reed and Velvet Underground songs all the time, and they still show up regularly on soundtracks. That’s probably a superficial way of measuring importance, but it’s a clear si...
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