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As the release date of Deerhoof's tenth album approached, the band flooded us with Offend Maggie material. A week and change ago we talked about the fully realized post-sheet music "Fresh Born." Before that Satomi and Greg harmonized about phone calls and unrequited love on "Offend Maggie" and even earlier, the group showed us "The Tears And Music Of Love." Hopefully you still have some room on your plate, because Offend Maggie is out today and, accordingly, here's the Clyde Petersen and Forrest Baum-directed video for "Chandelier Searchlight."
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submitted by Nick Mar 12th 2015 06:00 pm (stereogum.com)
Ever-prolific noise-gauze purveyors Deerhoof released their 12th full-length album, La Isla Bonita, late last year and have continued to release accompanying visuals for various tracks from that record. In January we got Satomi Matsuzak strolling around the British shoreline in the “Black Pitch” video, but the animated visual...
Deerhoof’s La Isla Bonita was largely inspired by Janet Jackson and Madonna, so much so that single “Paradise Girls” evolved from a demo of the band covering Jackson’s “What Have You Done For Me Lately.” Today the noise-pop veterans have shared that demo to help connect the dots between...
submitted by Nick Jan 30th 2015 07:00 pm (stereogum.com)
Deerhoof continued their two-decade reign over noise-addled pop on last year’s La Isla Bonita, and now they’ve released a video for one of the record’s fuzzier, more-subdued moments, “Black Pitch.” The band’s firecracker frontwoman Satomi Matsuzak strolls through London’s well...
Deerhoof’s La Isla Bonita highlight “Exit Only” has gotten a massive remix from Perfect Pussy. The first half follows the structure of the original song for the most part, but it sounds as though it was recorded from the dark depths of hell: everything’s heavier and moves sluggishly, though the hook of the...
submitted by Nick Oct 27th 2014 06:00 pm (stereogum.com)
Veteran Bay Area spaz-poppers Deerhoof recorded their new album La Isla Bonita live in a garage over one week. God Mode label head Nick Sylvester (who is, full disclosure, my friend) recorded it, and it has a bit more melody and a bit less berserk skronk pyrotechnics than a lot of other Deerhoof records. But [...]


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