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Blonde, the film based on the Joyce Carol Oates book that was inspired by the life of Marilyn Monroe, hits Netflix today. The reviews are mixed (and controversial!), but it seems agreed upon that the score is pretty good. That score was done by Nick Cave and Warren Ellis, the frequent collaborators who have carved out quite a nice lane in the film-scoring world.They’ve also had a productive relationship with Andrew Dominik, the director of Blonde — they first linked up for his 2007 feature The Assassination Of Jesse James By The Coward Robert Ford, and Dominik has since directed two documentaries about Cave, 2016’s One More Time With Feeling and this year’s This Much I Know To Be True.Check out Cave and Ellis’ Blonde score below.
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"The 'Peaky Blinders' story and the music we use are twins, born at the same time"The post ‘Peaky Blinders’ soundtrack featuring Nick Cave, Arctic Monkeys getting vinyl release appeared first on NME.
“I’m forever near a stereo saying, ‘What the fuck is this garbage?’ And the answer is always the Red Hot Chili Peppers,” Nick Cave reportedly said in 2004. But last night, RHCP bassist Flea joined Cave and Warren Ellis onstage during their show at the Shrine Auditorium in Los Angeles in support o...
"So wonderful to have you on stage with me and Nick at The Shrine. Can feel the soul pour out of you on stage"The post Watch Red Hot Chili Peppers’ Flea join Nick Cave & Warren Ellis on stage in LA appeared first on NME.
Cave was criticised in 2017 after refusing to cancel gigs in Israel in a statement he said was against anyone “who tries to censor and silence musicians”The post Nick Cave responds to “double standard” criticism over Palestine views after cancelling Ukraine gigs appeared first on NME.
It’s hard to imagine Nick Cave and James Corden breathing the same air, and the mind reels a bit at the news that Cave was the musical guest on Corden’s Late Late Show last night. But Cave didn’t actually visit the Corden studio. Instead, James Corden debuted a clip from This Much I Know To Be True, the new live-con...


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