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Back in the earliest weeks of 2020, before pandemic life set in, Stephen Malkmus began rolling out Traditional Techniques, a folk-oriented album recorded with the Decemberists’ Chris Funk and guitar-slinging indie journeyman Matt Sweeney, hot on the heels of 2018’s indie-centric Jicks effort Sparkle Hard and 2019’s electronic-tinged solo LP Groove Denied. A full two years later, Malkmus is finally playing some shows in support of Traditional Techniques with his newly formed Trad Tech Band, which includes Funk, Brad Truax, and Jake Morris. Supposedly Sweeney will join them tonight in Mexico for their set at Wilco’s Sky Blue Sky festival, but Sunday night at Portland’s Alberta Abbey it was just the four of them.
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submitted by Nick Feb 12th 2021 06:00 pm (stereogum.com)
submitted by Nick Sep 15th 2020 03:00 pm (stereogum.com)
Stephen Malkmus has been on a hell of run, dropping three distinct albums in as many years. First came 2018's straightforwardly indie-rockin' Jicks offering Sparkle Hard, then 2019's loosely electronic solo joint Groove Denied, then this year's rootsy Traditional Techniques. That's a lot of music, but given the troves of bonus material that acco...
submitted by Nick Feb 27th 2020 04:00 pm (stereogum.com)
With the release of "Xian Man" last month, Stephen Malkmus announced his third album in three years. Whereas 2018's Jicks effort Sparkle Hard presented something close to the classic indie rock sound Malkmus made his name on and 2019's Groove Denied was an electronically inclined solo endeavor, this year's Traditional Techniques finds the once a...
Once and future Pavement frontman Stephen Malkmus announced a new album last month. Traditional Techniques, the follow-up to last year's electronic solo album Groove Denied and 2018's Jicks LP Sparkle Hard, is a collection of folk-rock songs recorded with Matt Sweeney and the Decemberists' Chris Funk.
There exists a subset of indie rock artists I associate with record store clerks and collectors. Usually it's a bit skuzzier and meaner than whatever's popping in the indie mainstream, maintaining that old aversion to selling out or even crossing over. This music tends to be worshipful toward rock's ragtag early days and an expansive…


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